My first trip abroad was to do a TV version of 'Les Miserables' in France with Anthony Perkins. There I was at 12 acting with the guy from 'Psycho.' My parents were teachers, and it was hard for them to relate to that world.
My first reaction when I watched Les Miserables was, 'Wow, my hair looks good!' They put half a wig in, and I was always kinda worried it was gonna make my head look twice as big!
My mum bought discounted tickets for shows like 'Cats' and 'Les Miserables'; I became completely enamoured.
It's fantastic to see 'Les Miserables' become the top-grossing film at the U.K. box office.
In college, I was a huge fan of 'Les Miserables.' I seem to remember that people who were into French literature preferred Hugo's poetry.
Sure, 'Les Miserables' can be melodramatic. And seeing the musical instead of reading the novel will save you some time and spare you the long part where Hugo goes on and on about the Parisian sewer system. But I would hate for the novel to lose that.
I listened to John Denver and Simon & Garfunkel. Edith Piaf was a huge favourite. Then I discovered musicals - I loved 'Les Miserables' - and, at about 14, I started listening to David Gray.
I'm doing 'Les Miserables,' the movie. I've done a lot of musicals and a lot of movies, and I know there are not a lot of people in Hollywood who have been down those two paths so I've been like, 'Come on, let's do a movie/musical.'
I auditioned for the part of Cosette in 'Les Miserables' on Broadway. It didn't work out.
My reading and drawing drew me away from the ordinary interests, and I lived a great deal in the world of imagination, feeding upon any book that fell into my hands. When I had got hold of a really thick book like Hugo's 'Les Miserables,' I was happy and would go off into a corner to devour it.
